On Saturday, the Orlando Philharmonic Orchestra brought Broadway back to the Bob Carr Theater with the program, “Great American Songbook.”
ORLANDO — For years, touring Broadway productions always made a stop in Orlando
at the Bob Carr Theater
, until those shows shifted to the new Dr. Phillips Center for the Performing Arts
On Saturday, though, Broadway made a return to the Bob Carr Theater, courtesy of the Orlando Philharmonic Orchestra
, which revived classic songs from hit stage musicals in a program titled “Great American Songbook.”
The concert, conducted by Albert George Schram, rediscovered songs by seven of Broadway’s best known songwriters, including Cole Porter, George Gershwin, Richard Rodgers, Jule Styne, Irving Berlin, Harold Arlen and Jerome Kern.
The OPO was assisted in the afternoon and evenings shows by the vocal talents of Christine Noll, who made her Broadway debut in “Jekyll & Hyde The Musical,” and most recently received a Drama Desk nomination for her work in “Chaplin”; and Doug Labrecque, who has performed in such productions as “Phantom of the Opera,” “Showboat” and “Les Miserables,” among others. Continue reading
Yes, Living Room Theater is just what it sounds like: theater in someone’s living room.
ORLANDO – The name of this performance art trio is Living Room Theater
— and yes, it means just that.
The concept is simple: rather than perform on a stage in an auditorium, how about bringing community theater directly to one’s own living room?
On Saturday, Oct. 29, Michael Freeman, the editor and publisher of Freeline Media
, will open the doors of his home in the Colonialtown North neighborhood in Orlando to host a special performance by Living Room Theater.
“What is Living Room Theater?” notes a release by the theater group that pioneered this concept. “Paths of absurdity, raw truth and love intersect as Bear, Otter and Dog invite you into a living room to share vignettes reflecting upon our humanity. Through pensive to comical conversations, experimental performance pieces and live instrumentals, a story emerges. No two shows alike.” Continue reading
Koby the stray kitten longs for a home. (Graphic designed by Sherrie Smith).
ORLANDO — Freeline Productions is the source for original fiction novels by author Michael W. Freeman, which reflect the anxiety, turbulence and often harsh realities of life following the Great Recession.
His novels “Bloody Rabbit” and “Koby’s New Home” were both written at times when the author found himself downsized from the volatile field of print journalism, searching for his next opportunity. The lead characters in both books, R.T. Robeson and William Grabinski, struggle to cope in these frustrating, emotionally demoralizing times when all that’s left is the new part-time “gig” economy. They’re living on the margins, like so many others.
At the same time, these novels are not simply about economic dislocation. In a deeply chilling way, the novels take the reader into a nightmarish existence where social norms appear to be breaking down, and a collective anger among average workers has created a hostile environment where outbursts of violence can happen at any second. Everyone is on edge, and losing control seems dangerously easy. Both Robeson and Grabinski, two mild-mannered and discrete men, find themselves living in a half-dream state where old realities have faded away. Their sense of alienation grows. Humanity is omnipresent — and oppressive and corrupting. Suddenly it’s as if the entire world was made up of James Joyce’s Jesuits, ranting about the horrors of the grave. Continue reading