Editor’s Note: What separates a great franchise from one that’s just a cheap attempt to cash in on the success of the first one? Freeline Media critic Mike Fried takes a look back at the Jurassic Park franchise — the good, the bad, and maybe even the ugly. Read on!
By MIKE FRIED
Ok, first off, I am not a Jurassic Franchise apologist. I have been brought up on dinosaur movies since I was a kid. Dad bought me a dinosaur book that I gave to my kid when he was born and the whole family have been dino freaks for a long time. So, while people shit on every installment of Jurassic Park and Jurassic World other than the original, I have a fondness for all of these films because I see them as extensions of what I grew up with — albeit, with better special effects. With The End of Oak Street having just been released and the recent passing of legend Sam Neill, I thought I’d take a look back at the franchise.
JURASSIC PARK
5/5
What can you say about a movie that has probably been seen by hundreds of millions of people? Can there be a new twist?
Well, I’m going to try. When I read Michael Crichton’s thrilling novel, I did what I always did — I cast the characters in my mind. And I am proud to say that I got two of them correct. Sure, Jeff Goldblum as Ian Malcolm just popped into my head but he was more boring in the book than he was in screen.
Where I believe I scored in my mind’s casting was thinking that Wayne Knight would be perfect as the corpulent Dennis Nedry, whose petty grievances about money (the root of all evil, right?) really sets in motion the chain of events. And what was more outstanding is this was a year before he showed up on Seinfeld as the equally corpulent and equally scheming Francis Newman, the mailman who was the bane of Jerry’s existence.
I had the pleasure of watching Knight’s performances in Dirty Dancing, JFK but most of all, Kenneth Branagh’s Dead Again, which really gave him a chance to shine. I don’t think there was another actor in Hollywood – that prides itself on looks — who could have readily handled the role. And he shines. When we first see him, he’s at a small isolated island restaurant where a guy named Louis Dodgson (who would show up in Jurassic World:Dominion reformed as Campbell Scott because the real actor took a kiddie sex rap) goes full-on Newman when he is given his money for stealing the frozen embryos. He even gets more Newman-y when he sees the Barbasol can that is going to be used to transport the embryos. It really was a spot-on casting choice. So was Goldblum, I guess.
We all know the story. A rich billionaire heads a company that uses lost DNA, found in amber, to create dinosaurs. Well, the lawyers and the insurance companies — those fuckers!! — are not convinced of the safety; so, before they underwrite the venture, they send a lawyer to examine the park, along with a respected paleontologist, paleobotanist and a mathematician. If they sign off on the park, everything will be hunky dory. But they obviously didn’t see the other movie that was written (and directed) by Michael Crichton — Westworld — in which the tagline was “…where nothing can possibly go w
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Steven Spielberg, along with his fellow co-conspirators Dennis Muren and Stan Winston and composer John Williams, created one of the most magical cinematic experiences that I have ever seen. I am glad this was released before there was streaming. There was something about getting to the movie theater early to get a ticket for a particular show as well as a seat of choice. And that was Jurassic Park in spades.
Our exposure to dinosaurs previously was varying degrees of presentation — with GOAT Ray Harryhausen’s stop motion at the very top — and rhinoceros iguanas standing in for Dimetrodons in Journey to the Center of the Earth (1959) to people in dinosaur suits.
This was something moviegoers had never seen before: state of the art special effects designed to startle, scare and enthrall. With a mixture of live action dinosaurs and CGI completion, the film took us to heights we had never seen before. And that is the very reason that the film has stuck with several generations of moviegoers.
And aided by John Williams soaring score, there was no way this film was going to be a failure. So iconic is the main theme that it has been used in every single Jurassic Park/World movie since.
There are three or four outstanding set pieces that tie everything together, most notably the Tyrannosaurus Rex that is a microcosm of everything that the production team has put together. No matter how many times you see this film, this scene is an absolute standout.
The acting is terrific, tied together by Sam Neill’s really heartfelt performance as Dr. Alan Grant (the icon of the franchise), Laura Dern as his main squeeze, and Ellie Sattler, also great as she elevates the film. Richard Attenborough as the grandfatherly John Hammond is also terrific. Bob Peck as game warden Muldoon is a great addition to the cast and in one scene, Spielberg shows Muldoon’s eyes contrasted with the Raptor’s eyes and they look identical. But Samuel L Jackson’s Mr. Arnold, the control room chief sums everything up nicely when he says “Hold on to your butts.”
This is a movie with a very high rewatchability factor.
RIP SAM NEILL!
The Dolby Vision on the newly released 4k disc is outstanding – get it.
THE LOST WORLD: JURASSIC PARK
4/5
Okay, so in the novel Jurassic Park, Ian Malcolm DIES. But so popular was Jeff Goldblum’s rendition of his character that Crichton in his follow up novel The Lost World reveals that Malcolm only seemingly died. And now John Hammond has called him to his side as he is ailing in his house after being ousted from InGen after the Jurassic Park debacle. He tells him of a Site B, on Isla Sorna, where a little rich girl traveling with her parents has been injured by some Compys. He tells Malcolm that there is a research team going to Isla Sorna to document the living creatures so that the island can become a habitat rather than being exploited by InGen’s new CEO, Peter Ludlow, Hammond’s own nephew.
There was a review of the novel upon which this movie was based that said the book was “action-packed and camera-ready, The Lost World is to its predecessor what microwave dinners are to home-cooked meals: hardly authentic, but in a pinch fully satisfying.” And this applies to the film as well.
A lot of people shit on the sequel and that’s fine — I didn’t make it so I don’t care. And to a degree there’s some validity to the criticisms. The film gets off to a good start by establishing the characters and their motives and there are some nice set pieces on the island along with introducing some new characters.
Paleontologist (and Malcolm girlfriend) Dr. Sarah Harding is already on the island and Ian goes to meet her with photojournalist Nick Van Owen and equipment specialist Eddie Carr (and Ian Malcolm’s stowaway daughter, Kelly). Ingen has sent Ludlow as well as big game hunter Roland Tembo and his team.
There are some exciting scenes on the island. There’s a scene where a captured baby T. Rex is brought to a double trailer to have its broken leg (paw? hoof?) fixed by Sarah, only to have the trailers attacked by mom and dad T. Rex. It is the type of scene that Spielberg excels at and he does it so well. Great direction, coupled with outstanding editing, miniature work makes the scene really work.
But this is a B-movie with pretensions of greatness — unlike its sequel Jurassic Park III , which knew exactly what it was supposed to be — and because of that, the stay on the island is a bit too long. There are a couple of extra sequences that don’t serve the plot but which are there for the scene itself — and yes, I am talking about Kelly’s gymnastics that take out a velociraptor — and this excess causes the second act to flag.
However, the third act really resurrects the film. Channeling 1950s creature features like Gorgo and The Beast from 20,000 Fathoms and The Giant Behemoth — which were not so coincidentally directed by the same guy Eugène Lourié — the film brings dinosaurs to population because InGen has stolen the baby T. Rex but also its parent and is making them the headliners for Jurassic Park: San Diego and it is here that the film leans fully into its 1950s B-movie mode by having the Tyrannosaurus Rex destroy San Diego in search of its child.
And this is where the Spielberg magic comes into play. One of the more iconic scenes is the T. Rex head butting a bus. Well, the Rex is pure CGI but the bus is one of the those special effects that needs to be seen to be believed, using pneumatics to emulate the head butt. And they only had one shot of doing it.
The cast is good. Goldblum is terrific as Malcolm and Malcolm’s personal has almost become his own. Julianne Moore seems out of place as Sarah Harding but she does look like she is having a good time. Arliss Howard switched from his Full Metal Jacket Texas Twang to a posh London accent. Even a very young Vince Vaughn does a great job as Nick. But the great and sorely missed Pete Postlethwaite steals the movie as Roland Tembo who takes the job but hates his boss. He is the heart of the piece. When he responds to Ludlow’s offer of a job he replies, “No thank you … I believe I’ve spent enough time in the company of death.”
It is a fun B-picture that needs to be watched.
JURASSIC PARK III
4/5
A rich couple, the Kirbys, hires Alan Grant to take them on a sightseeing tour in a plane over Isla Sorna. Grant agrees to go as long as they don’t land on the island since he needs money for a dig because the public is tired of Grant unless he is talking about the events of Jurassic Park or Jurassic Park 2. Grant flies there with his assistant, Billy Brennan.
And of course they land. The Kirbys have an agenda. Their son went missing after a parasailing sightseeing accident and they want to get him back. They have hired mercenaries to help them. Their attempt to escape a Spinosaurus results in a plane crash and being marooned on the island with dinosaurs running wild.
What sets this apart from the first two films is that it is the least ambitious of the entire franchise, but it’s still a terrific B-movie that is a balls to the wall action film.
The wise decision to limit the running time to less than 90 minutes (sans credits) aids the overall enjoyment of the movie because there is constant action and great special effects, even if the character development is not present as it was in the first two.
The acting is nothing special. Sam Neill tries in earnest to be as earnest as he was in the first film. William H. Macy and Tea Leoni are the oddest of cohoes as The Kirbys. Alessandro Nivola is okay as Billy. But no one is setting the world on fire with their acting.
The real star of this movie is director Joe Johnston, who adroitly paces this film like the quick fun action film that it is. It has no pretensions about what it is. There’s a scene that echoes the lost spider scene from King Kong, only this time it’s not spiders, it’s a big ass Pteranodons. In a huge enclosed aviary!
It is immensely watchable and very visually appealing. It has nothing to do with any corporate chicanery. It goes back to the basics of 1925’s The Lost World, that is man vs. beast. I always have fun when I watch this.
And Fun goes a long way.
WATCH IT!
JURASSIC WORLD
5/5
Twenty-two years after the events of the first Jurassic Park, Isla Nublar is back in action with a fully functional dinosaur park owned by the Masrani Corporation in affiliation with InGen. Brothers Zach and Gray Mitchell are off to the island to spend time with their aunt Claire who runs the day to day operations of the park. Claire is all business so she shunts them off to her assistant Zara. Navy veteran Owen Grady has been training velociraptors since birth — he is the alpha male, something the head of security thinks would be a great away. Meanwhile, there is a new dinosaur in the park, the Indominus Rex, a dinosaur created from two species. When he seemingly is not in his paddock, Owen is sent to investigate. But the dinosaur is there and it escapes. All hell breaks loose.
This is the best Jurassic Park film since the original. It was my favorite action film of 2015 and it is the best Jurassic World film. It’s an excellent action film and despite the wooden acting it pushes all the right buttons. It has family drama — Zach and Gray’s parents are getting divorced and Zach doesn’t like babysitting his younger brother; it has corporate intrigue — Simon Masrani doesn’t believe the escaped dinosaur is a problem and Vic Hoskins wants to train the raptors to provide better security. And it has kids in distress.
Like I said, it doesn’t match the emotional impact of the original film. I don’t think anything could but what it does is set up the future of the franchise in a great way. It is a visually stunning film, it has stupendous special effects (those raptors running at high speed are something else) and it brings back our old friend the Tyrannosaurus Rex from the first two pictures. It also introduces us to a new dinosaur which plays a part in the next three films, the scene stealing Mosasaurus.
One of the other things the film does is make fun of the rampant commercialization of theme parks. The opening scenes with Claire show her courting Verizon Wireless to sponsor the Indominus Rex. The entire Main Street of the park is full of corporate stores like Starbucks, Margaritaville Restaurant and the like, even stores that one wouldn’t expect in a theme park. It’s a big knock on Disney. Indeed, the creation of the transgenic Indominus is a symbol of corporate excess — it’s a creation mainly made to attract more people to the park. And it shows a total lack of ethical boundaries. It was thought up as a response to the captive Orca at SeaWorld. But it does provide for some great moments.
The cast is fine for what the movie is. Chris Pratt is fine as Owen and remains for right after doing Guardians of the Galaxy. Bruce Dallas Howard is actually quite funny as Claire Dearing the park manager. Vincent D’Onofrio is his great smarmy self as the head of security who can’t leave well enough alone. Omar Sy is terrific as Owen’s assistant and Irrfan Khan is just great as the ebulliently bullish and exuberant Simon Masrani. But it’s really BD Wong whose Dr. Henry Wu, whose evil streak is on full display setting up a character arc for the next three films that is really outstanding. Jimmy Fallon has a funny cameo and Jimmy Buffett has a blink and you’ll miss him cameo. Judy Greer who played Howard’s sister in The Village plays her sister again.
The film uses all of the monsters to build tension. As the raptors are used to track the Indominus so it may be destroyed, the corporate treachery comes full circle. And it leads to a thrilling conclusion with the raptors biting the hand that feeds them.
It is a beautifully filmed movie that has great production design. The movie was partially filmed in New Orleans at an abandoned Six Flags theme park. The filmmakers created a three hundred-foot by two hundred-foot main street and boardwalk in the amusement park’s abandoned parking lot. Composited into the surrounding Hawaiian locale, it looks absolutely stunning.
It’s almost as good as the original- not quite but close.
JURASSIC WORLD: FALLEN KINGDOM
4/5
It is several months after the debacle at Jurassic World and a group of mercenaries in a submersible go into the Isla Nublar lagoon and steal a tooth from the skeleton of the Indominus Rex. And then they are eaten by a Mosasaurus. Three years later, a volcano is erupting on Isla Nublar and the Senate votes to allow the dinosaurs to perish. Claire Dearing now runs a dinosaur protection group and is recruited by Benjamin Lockwood — Hammond’s partner — to get the dinosaurs off the island to a sanctuary. She recruits Owen Grady and several of her employees, Franklin, a computer whiz, and Zia, a veterinarian, to go to Isla Nublar. What she doesn’t realize is that Lockwood’s aide de camp, Eli Mills, has a more nefarious plan in mind.
This is a terrifically well done dinosaur movie, even if it doesn’t have the heft and impact of Jurassic Park or its immediate predecessor. It has all of the corporate intrigue of The Lost World and the moralistic issues posed by the original film. “Yeah, yeah, but your scientists were so preoccupied with whether or not they could that they didn’t stop to think if they should.”
It’s interesting that the expedition is led by a bunch of mercenaries which tells you the direction that the film is going in. And there’s no better lead mercenary than Buffalo Bill himself, Ted Levine, as Ken Wheatley and “expedition coordinator” who oozes charm but whose dark side quickly becomes evident.
There’s a neat nod to Jurassic Park with the Brachiosaurus that was first seen by Alan Grant and Ellie Sattler eating leaves of trees and who sneezed on Lex in the original and whose bellowing in this film in a poignant scene becomes emblematic of the downfall of the species
And in the first act, a lot of the drama is driven by the erupting volcano which becomes worse as the team is on the island. In one well done sequence, Owen tracks his trained raptor, Blue, who does not respond to his commands anymore. Just as he makes a connection, Wheatley’s mercs tranquilizer blue which infuriates the animal who attacks one of the mercs who shoots the raptor before being killed. Wheatley tranqs Owen and takes Blue and Zia who is charged with keeping Blue alive.
Where the scene gets dumb is Owen, tranquilized, must deal with an oncoming slow river of lava. It’s a dumb scene that should have been excised. His hand even touches the lava but he doesn’t have any burns ( did anyone see Norm Gunderson melt in Volcano?!?!?)
However that scene is followed up by an absolutely terrific scene of Owen, Franklin and Claire evading dozens of scurrying dinosaurs who are trying to escape the flames and lava as the volcano finally explodes.
But the movie gets even darker in the second half of the film. Lockwood’s granddaughter becomes central to the deceptions contained within the film. And kindly Henry Wu who was a nice guy in Jurassic Park but showed his dark side in Jurassic World gets even darker. And nowhere does his evil genius manifest itself in yet a newly created creature, the Indoraptor, which takes the DNA of the Indominus Rex but which is susceptible to human command. And which makes the T. Rex look like a pussy.
Bryce Dallas Howard and Chris Pratt are terrific as Claire and Owen and new characters Franklin and Zia are portrayed nicely by Justice Smith and Daniella Pineda, especially Smith who is absolutely hysterical. But a movie is as good as its bad guys and besides Ted Levine there is Rafe Spall and Toby Jones as Eli Mills, Lockwood’s right hand man gone bad and Mr. Eversoll, the auctioneer of the animals to criminal syndicates. Both of them are terrific bad guys, oozing evil from every pore, especially Jones who uses his lack of height as an armor rather than as a downside. Spall is terrific as he mistreats young Maisie which shows what a prick he really is. James Cromwell is excellent as Benjamin Lockwood but it is young Isabella Sermon as Maisie that really shines.
The effects are first rate. The volcano sequence seems extraordinarily realistic and the use of live action dinosaurs really works well, especially in the T. Rex in the truck with Claire and Owen sequence.
Despite people shitting on this movie, it was necessary to set up the events of the following movie, Dominion, which people shit on even more.
I mean, not for nothing, did anyone think that they were going into a magical film like the original or did people think that there would be something more. I went j to this movie knowing that it was going to be dinosaur thrills and spills and I came away satisfied, yearning for the sequel.
Sometimes you just have to sit back and enjoy a film and stop treating it like it’s a Bergman film.
“Do you remember the first time you saw a dinosaur? First time you see them, it’s like… a miracle. You read about them in books, you see the bones in museums but you don’t really… believe it. They’re like myths. And then you see… the first one alive.”
I say WATCH IT because I love the dinosaur movies I grew up with.
JURASSIC WORLD: DOMINION
4/5
Yeah I’m gonna get up on my high horse here. I’ve read – over the past several months – the absolutely negative reviews for JURASSIC WORLD DOMINION. And it can thusly be summed up as this: “if the filmmakers are making the point that we shouldn’t mess with things from the past, why couldn’t they take their own advice?”
This is what movie reviewing has come to – if a movie is not GREAT, not STUPENDOUS, not THE BEST EVER, then it sucks. That’s not my way. There are shades of grey, especially when it comes to action movies – even dumb action movies which category this movie falls into.
But what every single review seemed to miss was that this movie ENTERTAINED. Quite satisfyingly, to this writer’s point of view.
As we learned at the end of FALLEN KINGDOM, dinosaurs have made it out into the wild – and, by wild, I mean into the human ecosphere.
While Owen Grady and Claire von Redhead are doing their best to be parents to genetic clone Maisie, whom they are raising as their daughter, an Evil Corp called Biosyn is at the core of this movie. Biosyn is run by Lewis Dodgson – he’s the guy who paid Dennis Nedry to steal the DNA samples in the Barbasol cans in the first movie and he somehow has retrieved the cans. In addition, genetically modified – and fucking nightmarishly huge – locusts are destroying crops across the Midwest (except those crops that are grown with Biosyn seed, of course). Good old Ellie Sattler is called to look at one of the locusts and she drags her old friend Alan Grant on a trip to Biosyn where Ian Malcolm just happens to be a lecturer on ethics.
Did you get that?
The plot really doesn’t matter – it’s a stepping stone to some real amazing dinosaur versus human set pieces. There’s a terrific chase scene that takes place in Malta with Owen outrunning velociraptors on a motorcycle and Claire evading same in a foot chase across roofs.
The special effects are even better than in the first two Jurassic World films. The rendering of the dinosaurs in this third outing seem even better. The creation of a Giganotosaurus as an apex predator to match up against the T-Rex is a grudge match 65 million years in the making.
Yeah, the acting is as wooden as it has been in almost every movie in the franchise – with two notable exceptions. Laura Dern and Sam Neill as Sattler and Grant show that they are the superior actors in the franchise and they bring great feeling to the characters. Goldblum is playing himself. Pratt and Howard are as expected, almost comic relief. Their attempts at true acting are laughable, especially as parents to Maisie.
Where the movie fails in my opinion is that it didn’t take advantage of its historical antecedents. Since 1953 when the BEAST FROM 20,000 FATHOMS invaded New York City and 1954, when Godzilla waded out of Tokyo Bay, there have been plenty of movies where things that should not be there invade cities. And when FALLEN KINGDOM ended, we are treated to a shot of Blue, the raptor, outside a city and a Pterodactyl landing on top of the fake Eiffel Tower in Vegas.
This was the true missed opportunity – to have another GORGO or GIANT BEHEMOTH movie where there are threats to civilization and our merry band has to use their wits to stop it. Instead, the human – dinosaur interactions are covered primarily through expositional newscasts at the outset of the film. One of the best parts of THE LOST WORLD:JURASSIC PARK was the Tyrannosaurus Rex rampage through San Diego. The best part of any Godzilla movie is its rampage through Tokyo – humans win out in those movies- they could have done something similar here. But they didn’t. They dropped the ball in my opinion.
To me, though, this is not a fatal flaw. It just made a potentially great movie just good.
I should note that I watched both the Theatrical and Extended versions of the movie. The extended version has more Sam Neill and Laura Dern in it and that’s a good thing since they were the strongest actors. I would have sacrificed some of the other plot contrivances and added in more Ellie and Alan into the theatrical cut. The extended cut is the preferred version not only for more Alan and Ellie but for explaining the genetic antagonism between T. Rex and Giganatosaurus.
But this is a Dino movie – it is escapist popcorn entertainment and on that level it succeeds. I’m going to watch it again and I think you should ignore the naysayers, park your brain at the door and go along for the ride.
WATCH IT
JURASSIC WORLD: REBIRTH
4/5
It is 2025 – 32 years after dinosaurs were re-introduced to the world. Since they made the world their dominion, many of the dinosaurs have died out around the world, and they mainly live in a tropical band around the equator in an area where humans are not allowed.
Of course, this means that humans for one reason or another will go there because otherwise there is absolutely no movie. And in this story, there’s more than one group of humans – there’s two! First, there’s a family that is sailing across the Atlantic Ocean in a sailboat who gets attacked by a Mosasaurus (the nice big whale like thing that ate Bryce Dallas Howard’s assistant in Jurassic World). Next there is a business group, that is to say, a group of mercenaries escorting a doctor and a representative of a drug cartel. It is hoped that the blood of three dinosaurs that now exist on an island 400 miles away from French Guiana will provide the building blocks for life-saving drugs, which, of course will only be available to the super rich. Mercenaries Zora Bennett and Duncan Kincaid have negotiated eight-figure paydays to help them transport the shady Martin Krebs, the rep for Big Pharma, as well as Dr. Jonathan Loomis, a paleontologist, soon to be out of work because dinosaurs are so five years ago.
And of course, the paths of the two groups converge.
As directed by Gareth Edwards, who gave us arguably one of the best films in the entire Star Wars Canon, Rogue, One, and who also directed 2014‘s Godzilla, this movie is a nice return to the feel of the original film.
The acting is nothing to write home about but, aside from Jeff Goldblum, is it ever? Are you really going to see a Jurassic Park/world movie for the acting???
What really makes this movie work nicely is the script by Jurassic Park veteran David Koepp, who is having a banner year in 2025 after Presence and Black Bag. Not to say that this movie is in the same class as those two movies but rather to say that the producers are using a franchise experienced veteran to push all the right buttons. And he doesn’t disappoint – from a cold open in an InGen research facility on the Island of Ile Saint-Hubert in the Atlantic, the movie subjects another “poor bastard” (the character Koepp himself played in The Lost World) to a dinosaur, a mutated cross between a velociraptor and a Pteranodon – ugly fucker.
Of course, let’s keep this grounded. We are talking about dinosaurs. The movie is intended to thrill, not to join anyone’s top 10 list. And on that score, the movie works. It starts off slowly with the necessary exposition and as the film proceeds, the action ratchets itself to a tremendous finale with that one ugly, fucking dinosaur again (the full 360 degrees, as Christopher Moltisanti would say). But along the way some fan favorites, such as the Tyrannosaurus Rex and the Raptors and the Stegosaurus make their appearances to varying degrees.
I fully expect to see this movie again and again and will likely buy it when it comes out on 4K – because I am a dinosaur lover and an action film lover and combine the two and, hell, it’s pure bliss for me.
So, for all you dinosaur lovers out there, I think you’ll get a kick out of this movie, and I think you should WATCH IT!
For all of you people who don’t give a shit about dinosaurs, don’t waste your time. It’s a simple as that – in fact, why are you even reading this review???? Are you dino-curious????
3.5/5 or 4/5, I haven’t decided yet.
If Letterboxd would allow me to rate this 3.75/5 I would but they don’t so tie goes to the runner.
Michael Fried has no formal training in movies, except having watched over 26,000+ movies — if not more — in his 60-plus years on this planet, starting with Goldfinger as his first cinema experience. He knows what he likes and he knows what he doesn’t like, and it’s quite often different from the conventional wisdom. He knows that the best franchise is Godzilla and he loves action movies and comedies. He has not been nominated for any awards except some boring insurance awards which has no applicability to movies (with the possible exceptions of Billy Wilder’s Double Indemnity and John Cassavettes’ Big Trouble). He is part of a team that won the 1980 SUNY Albany Trivia content by correctly guessing the question, “Who played the president of Klopstockia in Million Dollar Legs?” So he has that going for him, which is nice.
Contact Mike at moviemike3@gmail.com
