From stage to page: the artistic journey of “Blood Sisters: The Musical”

Blood Sisters the novel

The novel “Generational Curses” was based on the stage musical that was performed in Orlando in 2012.


HAMPTON ROADS, VA — Stage productions have the ability to reach out, grab your heart, and deeply move audiences. Malikah R. Harris found that out in 2012 when she brought her production “Blood Sisters: The Musical” to the Orlando International Fringe Theatre Festival, and won rave reviews.

Today, Harris, who lives in Virginia, has created a different format for “Blood Sisters,” the story about a typical American single parent family where Joanna Karen Smith — or simply “Momma” — has relied on her deep sense of faith as she raised her children. Now, after more than 32 years of self-sacrifice, Momma is fed up and is giving her grown daughters 5 months to put their lives together.

Harris has taken the story, and put it into novel form. For audiences who did not see the theatrical version of “Blood Sisters,” they can visit Amazon and get the book, and follow the story of Momma and her daughters there. Continue reading

Fringe Review: “Molly’s Comedy Cabaret”

Molly's Comedy Cabaret Orlando Fringe

“Molly’s Comedy Cabaret” is a hilarious show by Canadian singer and entertainer Molly Wilson.

ORLANDO – Watching singer and entertainer Molly Wilson perform her cabaret show at the Orlando International Fringe Theatre Festival, I thought for a moment about what it takes to create a really first-rate solo act.
I had already seen quite a few solo shows at Fringe this month, ranging from singers to dramatic readings to intense dramas.
Molly Wilson’s show has a fairly simple and straightforward concept: Molly’s stunningly beautiful voice is used to great effect on some well-chosen songs, and she has great comedic timing. By the end of the hour, as Molly joked with the audience and thanked them for coming, I couldn’t help think about how much work she must have done creating this show; because while it can be summed up as songs and comedy, Molly Wilson is wonderfully entertaining, and truly knows how to reach an audience.
In the beginning of the show, Molly does a particularly effective job of not only introducing herself, but also touching something heartfelt in so many of us: the idea of the small town kid with big dreams. A native of the small town of Chilliwack, British Columbia, Molly noted that the locals often asked her why she couldn’t pursue a practical profession, like being a dentist, rather than aiming to become an actress and singer.

Her response: to turn to her mom and say no, singing is her true goal in life. Continue reading

Fringe Review: “Theodore’s Super Fun Adventure”

Theodore's Super Fun Adventure Orlando Fringe

There are plenty of laughs to be found watching “Theodore’s Super Fun Adventure” at the Orlando Fringe Festival.

ORLANDO – “Theodore’s Super Fun Adventure” starts off as a gay-meets-cute comedy, has a wonderfully engaging performance by lead actor Mike Van Dyke, tosses out plenty of funny quips … and then it takes a radical, startling change in tone at the end.

The very light beginning is almost a bit misleading at first, and as I thought about the play afterwards, I realized I had missed the initial clues about the direction it was heading in.
But they were there from the start.
“Theodore’s,” now playing at the Orlando International Fringe Theatre Festival, was written by local funnyman Bobby DeSormier and directed by veteran performer Rob Ward. It begins as a comedy about a nervous, socially awkward young gay man from the sticks, Theodore (Van Dyke), who just moved to the Big Apple, found himself an apartment above a local restaurant, and even has a gay bar right across the street. Continue reading

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