Andrew LeJeune, Zach Nadoiski, and Michael Scott Ross (rear) join Bert Rodriguez and Tay Anderson in the musical-comedy “Life Could Be a Dream” at The Winter park Playhouse.
WINTER PARK — When someone mentions the 1960s, most people are likely to recall a highly turbulent era, especially in the latter years.
Political assassinations, anti-war protests, and the flower child movement all rocked the nation from 1967 until the 1970s arrived, and it was a time when it felt like the nation was being torn apart.
What might no longer be remembered is that the decade didn’t start that way, and the early 1960s still felt a lot more like the 1950s. The spirit of youthful rebellion, social change and rejection of traditional norms was still years away. That was reflected in the music as well. If by the late 1960s The Rolling Stones were singing “Sympathy For The Devil,” in the early 1960s teens were still listening to Paul Anka singing “Puppy Love” and Mark Dinning crooning “Teen Angel.”
That era is captured in Roger Bean’s jukebox musical “Life Could Be a Dream,” which is set in the year 1960, in the basement of Denny Harney, a teen with ambitions to become a hit doo wop singer. Continue reading
The novel “Generational Curses” was based on the stage musical that was performed in Orlando in 2012.
HAMPTON ROADS, VA — Stage productions have the ability to reach out, grab your heart, and deeply move audiences. Malikah R. Harris found that out in 2012 when she brought her production “Blood Sisters: The Musical” to the Orlando International Fringe Theatre Festival
, and won rave reviews.
Today, Harris, who lives in Virginia, has created a different format for “Blood Sisters,” the story about a typical American single parent family where Joanna Karen Smith — or simply “Momma” — has relied on her deep sense of faith as she raised her children. Now, after more than 32 years of self-sacrifice, Momma is fed up and is giving her grown daughters 5 months to put their lives together.
Harris has taken the story, and put it into novel form. For audiences who did not see the theatrical version of “Blood Sisters,” they can visit Amazon and get the book, and follow the story of Momma and her daughters there. Continue reading
“Everything I Need to Know I Learned From… Ethel Merman” is a musical extravaganza coming to the Orlando Fringe Festival in May.
ORLANDO – Legendary Broadway performers, after years of building up a loyal audience, have often discovered that they can build a show around something else: themselves.
After years of entertaining crowds with their renditions of classic show tunes, they finally start to open up about the lives they’ve kept secret from fans. And as gifted performers, they know how to narrate their lives — the joys, the tragedies, the heartache that caused them to struggle behind the scenes, even moments before bursting on the stage, looking radiant and ready to entertain.
And, chances are, they also know there are fans out there who idolize them, their music, and their larger than life personality. In most instances, they probably never know just how powerfully they can inspire someone.
That was the role that legendary Broadway performer Ethel Merman served for Mickey Layman, the singer, actor and comedic performer at Sleuth’s Mystery Dinner Shows
and many other Orlando theater productions. With a passion for Merman’s music and career, Layman decided to pay tribute to her with his show at the Orlando International Fringe Theatre Festival
“Everything I Need to Know I Learned From … Ethel Merman” honors the career of the star of “Gypsy” and “Annie Get Your Gun,” the woman that Layman calls “the wisest Diva of them all,” as he sings some of her classic songs, like “You’re The Top,” “I Got Lost In His Arms,” and “Everything’s Coming Up Roses.” Continue reading