Laura Hodos as Aldonza, Matt Zambrano as Sancho, and Davis Gaines as Don Quixote star in Orlando Shakespeare Theater’s production of “Man of La Mancha.” (Photo by Luke Evans.)
ORLANDO – Davis Gaines cuts a truly commanding presence as Cervantes, the tax collector, playwright and dreamer in the legendary Broadway show “Man of La Mancha,” now being performed at the Orlando Shakespeare Theater, that he’s thrilling ever moment he’s on stage.
Gaines has a marvelously towering voice from the very start, when he performs the show’s classic opening title song, “Man of La Mancha (I, Don Quixote).” For the next two hours, he beautifully balances humor, pathos and more than a bit of tragedy in his performance. He’s particularly good when matched up against the equally stunning Laura Hodos as his imaginary love, Dulcinea. The two of them could have carried on the entire show themselves and been a pure delight to watch.
This beautifully mounted production of the 1964 Broadway hit by Dale Wasserman was directed by Nick DeGruccio, and his approach made me feel like I was watching the show for the first time. In several of the past productions that I’ve seen in Central Florida, the cast and directors emphasized humor, as the befuddled dreamer Cervantes and his loyal sidekick Sancho Panza were portrayed as comedic figures whose actions verged on slapstick. Continue reading
Andrew LeJeune, Zach Nadoiski, and Michael Scott Ross (rear) join Bert Rodriguez and Tay Anderson in the musical-comedy “Life Could Be a Dream” at The Winter park Playhouse.
WINTER PARK — When someone mentions the 1960s, most people are likely to recall a highly turbulent era, especially in the latter years.
Political assassinations, anti-war protests, and the flower child movement all rocked the nation from 1967 until the 1970s arrived, and it was a time when it felt like the nation was being torn apart.
What might no longer be remembered is that the decade didn’t start that way, and the early 1960s still felt a lot more like the 1950s. The spirit of youthful rebellion, social change and rejection of traditional norms was still years away. That was reflected in the music as well. If by the late 1960s The Rolling Stones were singing “Sympathy For The Devil,” in the early 1960s teens were still listening to Paul Anka singing “Puppy Love” and Mark Dinning crooning “Teen Angel.”
That era is captured in Roger Bean’s jukebox musical “Life Could Be a Dream,” which is set in the year 1960, in the basement of Denny Harney, a teen with ambitions to become a hit doo wop singer. Continue reading
The novel “Generational Curses” was based on the stage musical that was performed in Orlando in 2012.
HAMPTON ROADS, VA — Stage productions have the ability to reach out, grab your heart, and deeply move audiences. Malikah R. Harris found that out in 2012 when she brought her production “Blood Sisters: The Musical” to the Orlando International Fringe Theatre Festival
, and won rave reviews.
Today, Harris, who lives in Virginia, has created a different format for “Blood Sisters,” the story about a typical American single parent family where Joanna Karen Smith — or simply “Momma” — has relied on her deep sense of faith as she raised her children. Now, after more than 32 years of self-sacrifice, Momma is fed up and is giving her grown daughters 5 months to put their lives together.
Harris has taken the story, and put it into novel form. For audiences who did not see the theatrical version of “Blood Sisters,” they can visit Amazon and get the book, and follow the story of Momma and her daughters there. Continue reading