Roman Polanski’s movie “Frantic” was released in U.S. cinemas on Feb. 26, 1988, so it now marks its 29th anniversary. The movie was released two years after Polanski’s box office failure “Pirates,” which was also savaged by the critics. In comparison, “Frantic” did well at the box office and drew positive reviews by critics who felt it was a solid if not spectacular return to form for the Polish director.
Harrison Ford and Betty Buckley star in Roman Polanski’s thriller “Frantic.”
The movie, about an American physician arriving in Paris for a medical conference who thinks his wife may have been kidnapped, was praised as a Hitchcock-style thriller with a first-rate lead performance by Harrison Ford.
Today, “Frantic” is largely forgotten. It was made in-between two Academy Award-winning films by the director, “Tess” in 1980 and “The Pianist” in 2002.
“Frantic,” like many of the other movies that Polanski made after leaving the United States in 1978, has largely been written off as being sub-par compared to his 1960s and 1970s efforts, which included “Knife In The Water,” “Repulsion,” “Rosemary’s Baby” and “Chinatown.”
Seen today, “Frantic” is clearly a very well made and tense thriller. Continue reading
Christian Ryan is Tom Buchanan, Jacob Dresch as George Wilson, Madelyn James as Mrs. Michaelis, and Eric Eichenlaub as a cop in Orlando Shakespeare Theater’s production of “The Great Gatsby.” (Photo by Tony Firriolo.)
ORLANDO — Legend has it that author F. Scott Fitzgerald, who died in 1940, thought he had been a failure as a writer because his 1925 novel “The Great Gatsby” had sold poorly and gotten mediocre reviews when it was first released. Turns out the book was ahead of its time, and would later become acclaimed as a literary classic.
Brought to the stage at the Orlando Shakespeare Theater, courtesy of an adaptation by Simon Levy, the theater provides a handsomely mounted and wonderfully acted saga that captures the feel of the Roaring Twenties and the rise of the Jazz age. It was a decade of great prosperity when lavish parties were the norm, and even though it was the era of Prohibition, booze flowed freely.
“The Great Gatsby” has traditionally been viewed as a book about how corrupting the pursuit of the American Dream can turn out to be, and it’s true that when young Nick Carraway, a Yale graduate from the Midwest and a World War I veteran, arrives in the town of West Egg, Long Island, he has a sense of wide-eyed optimism about his future in this economically booming decade. Continue reading
Wesley Slade, Glenn Gover, and Robert Johnston star in Mad Cow Theatre’s production of “Picasso at the Lapin Asile.” (Photo courtesy of Mad Cow Theatre).
ORLANDO — Steve Martin’s “Picasso at the Lapin Asile” is, well, a lot like Steve Martin in general: silly, light hearted, but sometimes deceptively so, with a surprising degree of sly social commentary popping up.
His 1993 play, which looks at the chance meeting between artist Pablo Picasso and scientist Albert Einstein in a bar in Paris, The Lapin Agile, is not a play concerned much about historical accuracy, history lessons, or becoming a character study of two legendary men. It’s really … well, Steve Martin, being goofy and often charming in the same way he was in the 1970s on all those “Saturday Night Live” episodes when he gave us the “wild and crazy guy.”
Martin has been a highly influential figure since the 1970s in stand up comedy, television and the movies, and he’s always demonstrated a particular gift for over-the-top physical comedy. Continue reading