Fringe Review: “Phantasmagoria’s Wickedest Tales of All”

Phantasmagoria Fringe

The Phantasmagoria troop is back at the Orlando Fringe Festival. (Photo by C. A. Bridges).

ORLANDO – It’s been a constant in my life for a while now: I have a complete inability to miss theater productions that include the works of Edgar Allan Poe.
It isn’t just that I love Poe’s writing. His dark, macabre, irresistibly creepy tales are so vivid in their descriptions, and conjure up so many haunting images, that I think they’re ideally suited for stage productions.
Just reading them aloud is highly effective in and of itself; if you’ve never listened to those old 1940s radio shows like “Suspense,” you’d be amazed how scary it can be to listen to a really well-written horror tale that asks you to let your imagination do the work.
So it was that I found myself immensely enjoying “Pantasmagoria’s Wickedest Tales of All,” and in particular the final segment, which recreated Poe’s classic tale of terror, “The Masque of the Red Death.”
Phantasmagoria, for the uninitiated, is the long-running group of circus-like performers who recount classic horror stories, and they’re now are presenting a sort of “Greatest Hits” production, “Phantasmagoria’s Wickedest Tales of All,” at the Orlando International Fringe Theatre Festival.
Phantasmagoria and Poe were made for one another, and the troupe led by writer, director and actor John DiDonna know the critical role that atmosphere plays in a story like this one. Using images on a screen, they conjure up the agony tormenting the countryside as a black death sweeps the land, leaving the survivors in mortal fear of being the next victim. Continue reading

Fringe Review: “Everything I Need To Know I Learned From Ethel Merman”

Ethel Merman Fringe

“Everything I Need to Know I Learned From… Ethel Merman” is a musical extravaganza coming to the Orlando Fringe Festival in May.

ORLANDO – Legendary Broadway performers, after years of building up a loyal audience, have often discovered that they can build a show around something else: themselves.
After years of entertaining crowds with their renditions of classic show tunes, they finally start to open up about the lives they’ve kept secret from fans. And as gifted performers, they know how to narrate their lives — the joys, the tragedies, the heartache that caused them to struggle behind the scenes, even moments before bursting on the stage, looking radiant and ready to entertain.
And, chances are, they also know there are fans out there who idolize them, their music, and their larger than life personality. In most instances, they probably never know just how powerfully they can inspire someone.
That was the role that legendary Broadway performer Ethel Merman served for Mickey Layman, the singer, actor and comedic performer at Sleuth’s Mystery Dinner Shows and many other Orlando theater productions. With a passion for Merman’s music and career, Layman decided to pay tribute to her with his show at the Orlando International Fringe Theatre Festival.
“Everything I Need to Know I Learned From … Ethel Merman” honors the career of the star of “Gypsy” and “Annie Get Your Gun,” the woman that Layman calls “the wisest Diva of them all,” as he sings some of her classic songs, like “You’re The Top,” “I Got Lost In His Arms,” and “Everything’s Coming Up Roses.” Continue reading

Fringe Review: “Biblical Fan Fiction”

Biblical fan fiction orlando fringe

“Biblical Fan Fiction” is a spoof on the Old Testament, being performed at the Orlando Fringe festival.

ORLANDO — “Biblical Fan Fiction” is sort of like vaudeville meets a Sunday school class — or at least one that’s been taken over by some college kids who figure it would be, like, wicked funny to stick all these dirty words in the mouths of them Bible characters.
If you lead a local church and have been inclined to believe that society is abandoning the old-fashioned holy ways and instead embracing the worst that secularism offers, you might want to take your entire congregation over to see this one, so you can stand up at the end, nod, and give a hearty “I told you so.”
For the most part, though, I think “Biblical Fan Fiction” is, and was intended to be, harmless fun — although the show does convey a kind of artistic schizophrenia, a deep split between the playful and the obnoxious.
At times, it seems like the performers are not entirely sure what kind of show they wanted to present.
The show features four actors — Charlie Griffin, Christie Johnson, Joe Liorens and Lyndie Schmidt — taking on sagas from the Old Testament. The skits (written by Griffin) sometimes have the same kind of irreverent feel as Mel Brooks portraying Noah in his 1981 bad taste comedy “History of the World Part I.”
But there are also times when the show feels like it could have successfully been geared toward kids. Continue reading

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